 |
 |
Issue
XII, Volume III
Welcome to
the twelth issue of the Onlinegigs
Booking & Promotional Tips monthly newsletter, Volume III. This month's
advice article takes us back to the basics of putting together a good
promo package. Although most talent buyers will accept online links for
booking consideration, there are still circumstances under which you need
to send an actual promo package. Read the article below by Heather McDonald
outlining the key components of a promo package and how to use them effectively
in a way that will quickly grab the most attention. And check out the
feature highlight on how to use and set up the powerful email messaging
capabilities that are provided with your monthly subscription.
  |
| How to Create a Promo Package |
| |
  |
| Onlinegigs Email Set Up |
| |
  |
| Can You Hear Me &
USA Songwriting Competition |
|
|
|
"An invaluable tool for any band, agent, or manager..."more>>
"This thing will forever alter the way bands, managers,
and publicists go about their business..." more>> |
 |

How
to Create a Promo Package  By
Heather McDonald
Having an informative and professional promo package
can be the thing that sets you apart from other bands, whether you're
approaching record labels, promoting your own music, trying to get
a gig, or if you're an indie record label trying to drum up some
interest in your bands. The following steps will help you put together
a promo package that will rival any promo campaign run by a pricey
PR company.
Here's How:
1. Choose the Music - The point of your promo package
is of course to get your music heard, so choosing the music to include
in the package requires some thought. Whether you're trying to get
the attention of a label, an agent, the press or radio stations,
remember that these people receive A LOT of music every day. They
can't possibly sit down and listen to every album from start to
finish. Make a short demo cd with your best two or three songs,
preferably songs that have strong beginnings, so they capture the
listener before they can push ""next.""
2. Write the Bio - Your promo package should include a short -one
page is ideal - artist bio. This step is where a lot of people fumble.
Don't try to be overly cute and don't make it read like it was written
with your thesaurus firmly in hand. The people who do decide to
work with you on the basis of your package are going to need some
useful information about you and your music, but they don't need
to know which song is your Mom's favorite or that you ""knew you
were going to be a musician the first time you picked up a guitar/heard
such and such a song/etc."" Go for professional over cheesy.
3. Write the Press Release - If you're sending a demo to a label
or trying to get a gig, you may not have a specific event to promote
that requires a press release. However, if you're trying promote
a new album or a tour, your promo package should include a press
release detailing the specifics of the thing you are trying to promote.
The same rules that apply to band bios apply to press releases -
keep it shortand include useful information instead of ""clever""
fluff. Remember, the point is for someone to read that press release
and use it to write something about your band. Give them something
to work with...
Read
the full article here.
Heather McDonald is a freelance writer and full time music fan.
She splits her time between North Carolina and coastal South Carolina.
She has worked in the music industry since her teen years. She started
out sitting behind a record store counter, first as an employee
and then as the manager of a small, independent record store. During
her time at the record store, Heather worked closely with both major
and independent labels on new release promotion and worked on in
store performances from artists as varied as The Barenaked Ladies
and Alejandro Escavado. Heather left the record store to move to
Glasgow, Scotland, where she worked at indie label Shoeshine Records.
There, Heather wore the jack of all trades hat: dealing with manufacturing
and distribution, securing international licensing agreements, artist
management, tour booking, and album promotion. She has worked with
artists like BMX Bandits, Laura Cantrell, Paul Burch, and Steve
Young. Heather left Shoeshine after six years and now works as a
freelance writer, covering music for many print and web outlets
and doing PR for labels and bands.
|
 |
|
 |

Onlinegigs Email Set Up |
Onlinegigs
comes equipped with a powerful integrated messaging center
that can be used for keeping track of all your email correspondence
so that, at any time, you can view history (all emails, tasks,
notes, etc) related to a specific contact. If you have a multi-band
account, you can further use the filtering function to view
history only on a specific performer. Onlinegigs allows you
to add up to 3 POP accounts for receiving email. In order
to generate press releases, contracts, fan newsletters, send
emails, etc., you'll need to add your STMP settings from your
current host provider. If you do not have one or need assistance
setting it up, email us at support[at]onlingigs.com and we'll
get you hooked up. Onlinegigs is your web-based, information
headquarters for all of your business activity.
|
|
 |
|
 |
|
 |
 |
 |

Can You Hear Me |

USA Songwriting Competition |
  Can
You Hear Me
Indie filmakers Greg and Jeff believe this country is sitting on a
goldmine of untapped music. For the last 5 years they have been touring
the country discovering and exposing new music with the objective
to redefine the method by which music finds its way to the fans. Can
You Hear Me is your destination for Underground Music. Check out the
video about the project on the website
for more indepth info and opportunities. |
 USA
Songwriting Competition
The world's leading international songwriting event honors songwriters,
composers, bands, recording artists everywhere. Winners will be selected
by a Blue Ribbon committee of music industry judges including record
label publishers, producers from SONY Music, Warner/Reprise Records,
etc. |
 |
 |
|