To
be able to book a band or bands successfully all you really need
is persistence and organization. Whether you are booking locally,
regionally or nationally you will essentially need the same skills
and tools to be effective. The first place to start is by collecting
contact information for locations that hire music performers. You
need as many of these locations as possible to increase your success
potential and you also need as much information (phone number, styles
of music, capacity, contact name etc.) about the location that you
can get your hands on. Below is a list of some good places to start:
Alternative news weeklies like the Village Voice or the Boston
Phoenix, can be a great source of local venue listings. Every major
market in the country has an independent weekly publication and
most of them can be found online, check out http://www.awn.org.
Sometimes these ads alone are enough to determine whether or not
your act is appropriate for the venue. You will still need to get
in touch with the venue however to find out their booking policies
and get the right contact name for the talent buyer.
Printed music industry directories are an incredible resource.
These directories tend to list everything from venues to record
companies to managers and back again, so it is easy to get overwhelmed.
Make sure you pick the one that is right for you and going to help
you accomplish your goals. Take a look at the Galaris
Music Directory or The
Indie Contact Bible to get a sense of what is offered.
Your peers and heroes are really the best place to find live music
venues appropriate for your band. Ask your friends that are in bands
or go out to meet bands that share similarities with your own. When
asked, most will gladly share with you when the best time to reach
the buyer is or how exactly to pitch your act in order to get gig.
But they are always interested in telling people all of the venues
they have played; don’t be afraid to whip out a pen and piece
of paper. The more names and numbers you can get your hands on the
more possible gigs you can lock down. |
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First and foremost Onlinegigs is an extremely powerful, automated
booking and promotional tool. But Onlinegigs also comes pre-loaded
with a huge directory of its own contacts. There is nationwide listings
of Venues, Colleges, Festivals and Media contacts. Each contact
has, at a minimum, a full address and phone number. But the music
Venues also have capacity, music style and PA information. Colleges
include Student Activity Coordinator information as well as the
schools average tuition and enrollment data to help you determine
potential entertainment budgets. Music festivals include music style
and submission deadline info. And Media contacts have print frequency
and radio station format information.
The music industry directory is fully searchable and maintained
by the Onlinegigs member community. Onlinegigs is the only service
that pays you for your contacts and your updates. We offer money
back off of your subscription fee for adding and editing contacts.
Many members use Onlinegigs for free because they are constantly
working and constantly updating and adding contacts. Member’s
additions and edits are immediately available to the other subscribers
and has a direct benefit for those new to a particular area.
Onlinegigs can import any electronic list of contacts from
almost any file. Outlook, ACT, Excel etc. Please contact support@onlinegigs.com to
find out about importing your address book.
In next month’s issue of Onlinegigs Booking Advice Newsletter
we will discuss the crucial Contact Resource Management (CRM) tools
that you need to keep your efforts organized and professional.
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ISC
is the perfect opportunity for bands, artists and songwriters looking
to gain exposure in the music industry. In today's highly competitive
music scene, ISC bridges the gap between artists and industry by bringing
together some of the most influential and high-profile members of
today's music industry to our judging panel. In addition to the $100,000
in cash and prizes, winners will benefit from a multilateral promo
campaign designed to give them maximum exposure for their music. Are
you ready to take your music to the next level? Enter the ISC online
or download an entry form to mail in your entry. Don't forget...enter
ISC by August 31, 2004 and save on multiple-song entries. http://www.songwritingcompetition.com
2004 judges includes:
Monte Lipman (President, Universal Records); Bo Diddley; John Ondrasik
(Five For Fighting); Taj Mahal; Clint Black; Sean "P. Diddy"
Combs; Macy Gray; Aaron Lewis (Staind); David Hidalgo (Los Lobos);
Branford Marsalis; Darryl McDaniels (Run D.M.C.); Peter Furler (Newsboys);
Sully Erna (Godsmack); Stacey Earle; Scott Kirkland (The Crystal
Method); Michael Gudinski (Chairman, Mushroom Group of Companies);
Alan Meltzer (CEO, Wind Up Records); Tara Griggs-Magee (Executive
VP Gospel/Urban Music, Sony Records); Michael McDonald (President,
ATO Records); Tracy Gershon (Sr. Dir A&R/Artist Dev, Sony Records
Nashville); Chris Parr (VP of Music Programming & Talent Relations,
CMT); Peter Asher (Co-President, Sanctuary Artist Management); Kim
Stephens (VP A&R, Lava Records); Barbara Sedun (VP Creative,
EMI Music Publishing Canada) and Leib Ostrow (CEO, Music For Little
People).
Categories for 2004:
AAA/Roots/Americana, Dance/Electronica, Jazz, R&B/Hip-Hop, Blues,Folk/Singer-Songwriter,
Lyrics Only, Rock, Children's Music, Gospel/Christian, Performance,
Teen, Country, Instrumental, Pop/Top 40, World
http://www.songwritingcompetition.com
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